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An Autumn Afternoon (Original photograph of Shima Iwashita from the 1962  film) par Yasujiro Ozu (director, screenwriter); Kogo Noda (screenwriter);  Chishu Ryu, Shima Iwashita, Keiji Sada, Mariko Okada (starring): (1962) |  Royal
An Autumn Afternoon (Original photograph of Shima Iwashita from the 1962 film) par Yasujiro Ozu (director, screenwriter); Kogo Noda (screenwriter); Chishu Ryu, Shima Iwashita, Keiji Sada, Mariko Okada (starring): (1962) | Royal

Une poule dans le vent, Yasujirô Ozu (1948) | La saveur des goûts amers
Une poule dans le vent, Yasujirô Ozu (1948) | La saveur des goûts amers

A Journey Through the Eclipse Series: Yasujiro Ozu's Equinox Flower
A Journey Through the Eclipse Series: Yasujiro Ozu's Equinox Flower

Ozu, cinéaste du quotidien, du temps et de la transcendance
Ozu, cinéaste du quotidien, du temps et de la transcendance

Moments of cine-beauty: Yasujiro Ozu and the vase. – psycho-cinematography
Moments of cine-beauty: Yasujiro Ozu and the vase. – psycho-cinematography

Fleurs d'Equinoxe (Higanbana) de Yasujiro Ozu - 1958 - Shangols
Fleurs d'Equinoxe (Higanbana) de Yasujiro Ozu - 1958 - Shangols

Vase en céramique majolique vintage H-14,5 cm vase à fleurs floral rayé  peint à la main - Etsy France
Vase en céramique majolique vintage H-14,5 cm vase à fleurs floral rayé peint à la main - Etsy France

Yasujiro Ozu and the enigmatic art of the 'pillow shot' | Dangerous Minds
Yasujiro Ozu and the enigmatic art of the 'pillow shot' | Dangerous Minds

PDF) “The Riddle of the Vase: Ozu Yasujirô's Late Spring” | Markus Nornes -  Academia.edu
PDF) “The Riddle of the Vase: Ozu Yasujirô's Late Spring” | Markus Nornes - Academia.edu

Yasujirō Ozu, du plan d'objet à la “nature sous vide”
Yasujirō Ozu, du plan d'objet à la “nature sous vide”

Les instants suspendus du cinéma d'Ozu / Pen ペン
Les instants suspendus du cinéma d'Ozu / Pen ペン

Yasujiro Ozu ou le cinéma-zen | Eigagogo - Regards Sur Le Cinema Japonais
Yasujiro Ozu ou le cinéma-zen | Eigagogo - Regards Sur Le Cinema Japonais

Work - Art of Conrad Sly
Work - Art of Conrad Sly

AURORANOCTE FILMS — Record of a Tenement Gentleman (Yasujirō Ozu,...
AURORANOCTE FILMS — Record of a Tenement Gentleman (Yasujirō Ozu,...

Ozü : un papier peint japonisant aux couleurs douces et perlées
Ozü : un papier peint japonisant aux couleurs douces et perlées

Harvard Film Archive on Instagram: "Domestic objects play a subtle yet  important role in the cinema of Ozu Yasujiro, and especially in the six  visually stunning color films that together constitute the
Harvard Film Archive on Instagram: "Domestic objects play a subtle yet important role in the cinema of Ozu Yasujiro, and especially in the six visually stunning color films that together constitute the

ozu – Tio Gabunia
ozu – Tio Gabunia

A Serene Ozu Teapot in the Toda Family Home
A Serene Ozu Teapot in the Toda Family Home

famous Vase scene in late spring - YouTube
famous Vase scene in late spring - YouTube

TIFF on X: "4 quiet moments in film, courtesy of Ozu, the great poet of  Japanese cinema. TOKYO STORY (1953) LATE SPRING (1949) AN AUTUMN AFTERNOON  (1962) EQUINOX FLOWER (1958) https://t.co/5uW43qPCkw  https://t.co/0HOcfu1rIH" /
TIFF on X: "4 quiet moments in film, courtesy of Ozu, the great poet of Japanese cinema. TOKYO STORY (1953) LATE SPRING (1949) AN AUTUMN AFTERNOON (1962) EQUINOX FLOWER (1958) https://t.co/5uW43qPCkw https://t.co/0HOcfu1rIH" /

Norman Holland on Yasujiro Ozu's Late Spring, Banshun
Norman Holland on Yasujiro Ozu's Late Spring, Banshun

Moments of cine-beauty: Yasujiro Ozu and the vase. – psycho-cinematography
Moments of cine-beauty: Yasujiro Ozu and the vase. – psycho-cinematography

Instead Of Dying | By Tess Gallagher | Issue 372 | The Sun Magazine
Instead Of Dying | By Tess Gallagher | Issue 372 | The Sun Magazine

VASE À JACINTHE à facettes des années 60's provenance de l'Allemagne de  l'est EUR 25,00 - PicClick FR
VASE À JACINTHE à facettes des années 60's provenance de l'Allemagne de l'est EUR 25,00 - PicClick FR

Why Would Ozu Cut to a Vase at the End of This Scene?
Why Would Ozu Cut to a Vase at the End of This Scene?